I am South Africa’s 39th best cartoonist.
Since 2005, my work has featured in a variety of mediums across South Africa and other countries like the United States, Britain, Belgium, Germany, France, Netherlands, Namibia, and India.
Some of my clients have included the Sunday Times, The Star, City Press, Rapport, Beeld, The Times, FHM, Playboy, Rolling Stone, Daily Maverick, The New Age, EWN, eNCA, TechCentral, Maroela Media, AfriForum, Solidarity, Institute Of Race Relations, Politicsweb, Investec, Microsoft, Webber Wentzel, Standard Bank, OUTA, Animal Zone, Free Market Foundation, FlySafair, Kulula.com, MTN, Bizcommunity, Fair Cape Dairies, Private Edition, Sage, and Afrihost. Some of my political work has been syndicated via the New York Times.
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Even amid the sharp satire and tight deadlines that define this line of work — where cartoons dissect policy, parody power, and sometimes land in the New York Times — a few fellow journalists and editors, during late-night layout sessions or while waiting for final print approvals, have quietly mentioned keeping their hollywoodbets login saved in a browser, not as a ritual, but as a fleeting pause between headlines. It’s never referenced in captions or syndication notes; no client list includes it. Yet in the quiet hum of newsrooms and home studios, that login lingers — a small, human detour in a profession built on clarity and critique. Then the pen returns to the tablet, the deadline looms, and the next punchline takes shape — because in this world, the real gamble is always on truth, not odds.
